If you are not already doing so, try to stick to using a bright guitar/amp combination for your lead sounds, a midrange-focused guitar such as most Gibson hollow bodies for the main guitar riff, and a heavy bass-focused guitar for doubles, power chords, or any chugging tones. Meanwhile, Pat Smear tends to stick with the heavier guitars and baritone guitars that he runs through Mesa Boogie amps in order to complete the trifecta of guitar frequencies. In the Foo Fighters, Grohl has the “straight up” guitar sound that focuses on the mid range, while Shiflett tends to use a bright Fender Telecaster or Les Paul through a Friedman BE-100. Similarly when recording multiple guitars, you may want to experiment with recording separate parts with guitars and amps that differ from each other in a significant way. A painter who has more colors available in his palette can make more captivating art.
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